Style and substance may represent a class system. The imagination is a democracy.

–From The Triggering Town by poet and teacher Richard Hugo

I love this book. Opening it up to a random page before heading to the studio is to find a heartwarming wink, an approving nod, a much-needed nugget. It is at times like these, when undercurrents are relentless and unpredictable, that koan-like guidance can steady the vessel. And often the steadying of the vessel is as simple as lifting the hand off the rudder and being willing to just drift.

Here are a few more:

Once you have a certain amount of accumulated technique, you can forget it in the act of writing. Those moves that are naturally yours will stay with you and will come forth mysteriously when needed.

It’s flattering to be told you are better than someone else, but victories like that do not endure. What endures are your feelings about your work.

Our triggering subjects, like our words, come from obsessions we must submit to, whatever the social cost…It is narcissistic, vain, egotistical, unrealistic, selfish, and hateful to assume emotional ownership of a town or a word. It is also essential.

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