Reasons to stop in at the Peabody Essex Museum are many, but here’s my favorite from my latest trip: “Imprints—Photographs by Mark Ruwedel.”
At first glance I assumed these 41 images were an Olafur Eliasson-inspired conceptual/installation piece on landscape. The photographs have a reduced tonality and a barren understatedness that could lead to that assumption. But once I took a step closer I was disabused of that idea, caught quickly and willingly in the dynamic silence of Ruwedel’s portraits of place—haunted and emptied of a previous existence during an ancient earth eon.
Mark Feeney’s review in the Boston Globe describes it well:
Mark Ruwedel[‘s}…West is riotously austere and beautifully desolate: a Beckett landscape so empty of human life that even Beckett’s lost souls would feel out of place there…As much archeology as art, his images explicitly remind us that the West has a past, one immensely longer in duration than the past of cowboys and Indians we see in westerns. “California is west of the West,’’ Theodore Roosevelt once said. The parts of Texas, Colorado, Utah, and California that Ruwedel photographs aren’t west of the West. They’re so desolate they almost seem underneath the West…
Time is an abstraction, of course, and these pictures have a stripped-down, abstract quality. Looking at them, one thinks not so much of other Western photographers as of Minimalist sculpture, Robert Smithson and earth art, or even Zen mysticism. Look closely, though, and notice how concrete the abstractions are.
Ruwedel lugged a large-format camera across a variety of these exquisitely remote Western terrains, and the payoff is a level of detail in these photographs that would be impossible to achieve without this cumbersome tool. The textures and depth of complexity are mesmerizing. Included in this show are images of the dinosaur tracks along the Purgatoire River in the Comanche National Grassland in Colorado, the ancient Indian trails that lace through the Chocolate Mountains of California, and other uncommonly traveled spots.
The show is up until January 1. I’ll definitely be back.
For more of a sense of Ruwedel and his approach to photography, here a great clip of him talking about a recent show at LACMA called “The New Topographics”: Mark Ruwedel