Waiting for Hurricane “My Name is Earl” to gather over the Northeast. We will be descending nonetheless on Cape Ann for a weekend of nuptial celebrating with Alexis and JP. So begins a month of wonderful wedding weekends. Life happens like that, big shifts that occur all at once, like the culmination of storm systems that become a hurricane. Nature does excess so effortlessly (which could be used as a defense for my own proclivities to go too far, too big, too much.)
Meanwhile here is another set of ideas from Juhani Pallasmaa that speaks to the concept of the eye (the human version that is):
An essential line in the evolution of modernity has been the liberation of the eye from the Cartesian perspectival epistemology. The paintings of Turner continue the elimination of the picture frame and the vantage point begun in the Baroque era; the Impressionists abandon the boundary line balanced framing and perspectival depth; Paul Cezanne aspires ‘to make visible how the world touches us’; Cubists abandon the single focal point, reactivate peripheral vision and reinforce haptic experience, whereas the colour field painters reject illusory depth in order to reinforce the presence of the painting itself as an iconic artifact and an autonomous reality. Land artists fuse the reality of the work with the reality of the lived world, and finally, artists such as Richard Serra directly address the body as well as our experiences of horizontality and verticality, materiality, gravity and weight.
The same countercurrent against the hegemony of the perspectival eye has taken place in modern architecture regardless of the culturally privileged position of vision. The kinesthetic and textural architecture of Frank Lloyd Wright, the muscular and tactile buildings of Alvar Aalto, and Louis Kahn’s architecture of geometry and gravitas are particualarly significant examples of this.