Two from Sean Scully:

The power of a painting has to come from the inside out, not the outside in. It’s not just an image; it’s an image with a body, and that body has to contain its spirit. A painting, really, is made by its reason for being there. What’s behind it decides everything. It’s not just a question of attrractiveness or correctness; it can’t be fixed afterwards or by additions. How it starts will define how it ends. So it’s the weight of the intention that defines everything.

My paintings talk of relationships. How bodies come together. How they touch. How they separate. How they live together, in harmony and disharmony. The character of bodies changes constantly through my work. According to color. The opacity and transparency of how the surface is made. This gives it its character and its nature. Its edge defines its relationship to its neighbor and how it exists in context. My paintings want to tell stories that are an abstracted equivalent of how the world of human relationships is made and unmade. How it is possible to evolve as a human being, in this.

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