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Brooklyn Workshop Gallery curator Martine Bisagni in my studio choosing work for the show that opens this weekend.

I’m in New York for the opening of my show in Brooklyn this weekend. I’ll be back online on Monday.

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This is a heads up about my upcoming exhibit opening in Brooklyn on Saturday June 26. I am very excited to be showing (mostly) new paintings along with the stunning sculptures of Rina Peleg.

The artist reception starts at 7pm on the 26th—an event that is being described by gallery director Martine Bisagni rather provocatively as a “Midsummer Revel”—so I hope you can stop by.

Midsummer
Paintings by Deborah Barlow
Sculpture by Rina Peleg
Curated by Martine Bisagni

Brooklyn Workshop Gallery
393 Hoyt Street
Brooklyn NY 11231
718 797 9427

A word about Brooklyn Workshop Gallery:
Brooklyn Workshop Gallery and the Brooklyn Workshop Gallery Foundation are committed to bringing art making and audiences closer together. In addition to a gallery space, BWG offers programs, classes and community outreach to promote the experience of art for everyone.


Japanese calligraphy, beautiful in its inexplicable mystery (From the LACMA collection)

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Beauty is not a concept. …Beauty harmonizes consciousness from top to bottom. It is as organically vital as digestion. Beauty is, or ought to be, no big deal, though the lack of it is. Without regular events of beauty, we live estranged from existence, including our own.

—Peter Schjeldahl

Yesterday I had an engaging and thoughtful conversation with art impresario/gallery directory/arts and community advocate/photographer Martine Bisagni. Ever the visionary, Martine’s latest project is the Brooklyn Workshop Gallery and associated Brooklyn Workshop Gallery Foundation. More about that undertaking will be forthcoming here.

Our conversation was far ranging but of course (it seems to be my inevitable proclivity) we touched down on beauty. I’ve written about this particular portion of the art terrain many times on this blog (do a search on beauty for a long list of posts). This quote from the New Yorker‘s Schjeldahl seems like a good addition.

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