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Sometimes a shout out is needed. Here’s a link to a show at the Pulitzer Foundation for the Arts website that came to my attention by way of Tyler Green’s excellent blog, Modern Art Notes:

Ideal (Dis-)Placements

Here’s what Green wrote:

Small, independent museums can do things big museums can’t (or don’t). They can take more risks, try different things, be more imaginative. Few do this better than St. Louis’s Pulitzer Foundation for the Arts, which has long used its Tadao Ando building as a staging ground for youth programs, music events and, of course, art.

The Pulitzer is currently showing Ideal (Dis-)Placements, Old Masters at the Pulitzer. It’s been up since October and it’s received rave reviews. The Pulitzer has just launched the show’s website. No one does single-shows-in-space websites better than the Pulitzer (witness: Dan Flavin, Water) and I wouldn’t miss a one of ’em.

Best of all: The Pulitzer folks manage to get across the feeling of seeing art in Ando’s remarkable space. Who else would provide day-long, time-lapse, natural-light-only stills of the installation? (The link is at the bottom of the screen. In the picture above it is 8:30am.)

This is a site where you can spend hours. Visual feast.

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Satellite view of the Spiral Jetty

For those following the effort to preserve the Spiral Jetty, here is the latest from Tyler Green’s blog, Modern Art Notes:

The National Trust for Historic Preservation is out with a statement on the Spiral Jetty situation. From NTHP prez Richard Moe: “The National Trust for Historic Preservation believes that Robert Smithson’s Spiral Jetty on the Great Salt Lake is a significant cultural site from the recent past, merging art, the environment, and the landscape. We are deeply concerned about the potential harm that energy development could bring to the Spiral Jetty.”

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The Spiral Jetty is in need of your help. Here’s what’s happening by way of Tyler Green’s excellent blog, Modern Art Notes:

Nancy Holt, Robert Smithson’s widow, recently sent an email out detailing specific threats to Smithson’s masterpiece, Spiral Jetty.

Yesterday I received an urgent email from Lynn DeFreitas, Director of Friends of the Great Salt Lake, telling me of plans for drilling oil in the Salt Lake near Spiral Jetty…I have been told by Lynn that the oil wells will not be above the water, but that means some kind of industrial complex of pipes and pumps beneath the water and on the shore. The operation would require roads for oil tank trucks, cranes, pumps etc. which produce noise and will severely alter the wild, natural place.

If you want to send a letter of protest to save the beautiful, natural Utah environment around the Spiral Jetty from oil drilling, the emails or calls of protest go to Jonathan Jemming 801-537-9023 jjemming@utah.gov. Please refer to Application # 8853. Every letter makes a big difference, they do take a lot of notice and know that publicity may follow. Since the Spiral Jetty has global significance, emails from foreign countries would be of special value.

They try to slip these drilling contracts under the radar, that’s why we found out so late, not through notification, but from a watchdog lawyer at the Southern Utah Wilderness Alliance, the group that alerted me to the land leasing for oil and gas near Sun Tunnels last May.

The comment period has been extended to February 13th. According to Green’s blog today, the State of Utah has received over 1000 comments. The acting director of the Salt Lake City Art Center Leslie Peterson said, “I think they were impressed to be taking calls from Europe and Japan about an artwork in Utah.”

Please write or call. If you have been to the site, you understand. If you haven’t, trust me that it deserves preservation.